The Ecocriticism Study Group

of the American Musicological Society

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JAMS Ecomusicology Colloquy

“Colloquy: Ecomusicology” is available here via JSTOR or here in PDF.

Published as

Aaron S. Allen, Daniel M. Grimley, Denise Von Glahn, Holly Watkins, and Alexander Rehding. “Colloquy: Ecomusicology.” Journal of the American Musicological Society 64, no. 2 (2011): 391-424.
© 2011 by the Regents of the University of California/American Musicological Society. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California/on behalf of the American Musicological Society for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on JSTOR or directly with the Copyright Clearance Center.

The six individual pieces of the Colloquy are (in order):

  • Allen, Aaron S. “Ecomusicology: Ecocriticism and Musicology.” Journal of the American Musicological Society 64, no. 2 (2011): 391-394.
  • Grimley, Daniel M. “Music, Landscape, Attunement: Listening to Sibelius’s Tapiola.” Journal of the American Musicological Society 64, no. 2 (2011): 394-398.
  • Von Glahn, Denise. “American Women and the Nature of Identity.” Journal of the American Musicological Society 64, no. 2 (2011): 399-403.
  • Watkins, Holly. “Musical Ecologies of Place and Placelessness.” Journal of the American Musicological Society 64, no. 2 (2011): 404-408.
  • Rehding, Alexander. “Ecomusicology between Apocalypse and Nostalgia.” Journal of the American Musicological Society 64, no. 2 (2011): 409-414.
  • Allen, Aaron S. “Prospects and Problems for Ecomusicology in Confronting a Crisis of Culture.” Journal of the American Musicological Society 64, no. 2 (2011): 414-424.